Nani Marquina Desire to Design Rugs
When Nani established the firm in 1987, she was driven by a solitary desire: wanting to design carpets. With more than 25 years of history, now the firm focuses on providing its carpets to a world that likes creativity, top quality and innovation. And its buddies on this trip are the sector's best developers and many enthusiastic craftspeople. Design was consistently vital in the Marquina house. Rafael Marquina, Nani's daddy and the creator of the popular Marquina oil cruet, which gained him the very first FAD prize in 1961, was just one of the pioneers of design in Spain. This made a deep perception on Nani, who knew from a young age that she intended to adhere to in her dad's footsteps and draw on the family members present-- creating.During that time contemporary rugs were non-existent in Spain, so it was a good suggestion and the initial pieces were well-received. The job was quickly shared with other designers which were leading figures in the Spanish design scene of the '80s, driving exports and creating a requirement for the business to transform itself to satisfy these new markets. This is just what led nanimarquina to toss itself into the adventure of relocating production to India, where it found the country's craftsmanship, its limitless probabilities and the cultural worth of carpets. Nanimarquina is a household company with a determined group. Nani's child, Maria Piera, is her right-hand woman in handling the business. Pierre Armengaud, Maria's other half, handle sales and internationalisation. Carlota Marquina, Nani's sis, has adoringly looked after the brand's photo since the start as Art Supervisor. And Gerard Piera, Maria's daddy, is in charge of the company's financial resources. Now, the firm concentrates on providing its rugs to a globe that wants ingenuity, technology and high quality. And its buddies on this trip are the field's finest developers and many enthusiastic craftspeople.African House RugThe African house rug has its origins in the exciting murals made by participants of the South African Besotho tribe outside of their homes. Besotho females decorate the adobe walls of their residences with plant and blossom accessories, developeding stunning ornamental allegories. They are artistic expressions of prayers to their forefathers, to whom they wish peace, rain and sunlight. This collection brings us the social symbology of this people, bringing their exotic outside motifs to the inside of our residences, providing a specific ethnic touch. The comfort on the woollen rug reproduces the mud therapy in their murals, in earth, sand and ochre tones.AsiaLike a stroll via a dreamlike yard, this collection stands out with flower motifs done in alleviation, inspired by tranquil asian atmospheres. The layout, offered in four shades and 2 dimensions, provides pleasing textures and dynamic visual results, elegantly including the detects of touch and sight with its existence. Its fine-tuned and basic attributes is made up of hues like beige, ivory, petroleum blue and brownish.Cuadros 1999In one of many check outs to her Indian collaborators, when observing a sample of wool fibers organized by tones, Nani Marquina visualised the embryo of among the firm's most representative styles, and, perhaps, the design that she herself would certainly choose if she had to pick which kid she adored most: Cuadros. Twenty shades forming a magic checkerboard of lively colours that develop a rhythmic experience of activity. This layout, born from a somewhat unintended mix of shades, really adheres to a very specific direct series.